While Diljit Dosanjh continues to captivate audiences across Canada and the USA with his sold-out performances on the Dil-Luminati Tour, a controversy has emerged surrounding the treatment of his background dancers. Reports have surfaced alleging that the dancers have not been compensated for their work, sparking a heated debate online.
Allegations of Unpaid Dancers on Diljit Dosanjh’s Tour
The issue was brought to light by Rajat Batta, a Los Angeles-based entrepreneur and dance institute owner. In a recent Instagram post, Batta praised Diljit Dosanjh for his groundbreaking achievements while expressing disappointment over what he describes as the exploitation of Desi dancers. “We are incredibly proud of Diljit breaking barriers in the music industry,” Batta wrote. “However, it’s disheartening to see that Desi Dancers on the Dil-Luminati Tour have not been paid and are expected to perform for free.”
Batta’s statement went further, criticizing Dosanjh for allegedly undermining the value of the Desi dance community: “It’s truly disheartening to see an artist of Diljit’s stature cutting corners by neglecting the contributions of the Desi dance industry while continuing to celebrate Desi culture.”
Dancers Defend Their Role and Experience
In response to these allegations, members of the Dil-Luminati Tour bhangra team issued a statement defending their experience and expressing pride in their role. They described their participation as a “priceless opportunity” to represent Punjabi culture on a global stage. “Each performance is a tribute to our heritage and a chance to showcase traditional bhangra to a wider audience,” the dancers stated in their response. “We are grateful for the chance to perform and do not wish to have our motivations or sacrifices misrepresented.”
The Dil-Luminati Tour has been a major success for Diljit Dosanjh, featuring sold-out shows across North America. However, the recent allegations have brought to light concerns about the treatment of the background dancers who perform as part of the tour’s vibrant bhangra segments.
Rajat Batta’s criticism highlights a broader issue within the dance community about fair compensation and recognition for artists’ contributions.
